Donât worryâthe instruments in Broken Consort are in perfectly good shape. Nobody dropped a flute. The violin is fit as a fiddle. âBroken consortsâ are just called that because in the Queenâs English, Elizabethan style,.
Julianne Baird, soprano Prior performances with Tempesta di Mare: *** Julianne Baird is a vocal phenomenon. . . a rare and wondrous voice guided by an extraordinary musical intelligence. Fanfare Julianne Baird has been hailed a.
By Anne Schuster Hunter When days are short and temperatures plummet, one sure-fire mood-raiser is Handelâs enduring holiday classic, Messiah. Fortunately, itâs not hard to find. Itâs all around. Big orchestras with great big choirs.
It wasnât just an item on the bucket list, Telemannâs visit to Paris. It was a victory lap. In 1737, Georg Philipp Telemann, who at age 56 had never left Germanyâor extremely near environsâ anytime.
"The Purcell Fantazias (thatâs how he spelled it!) share some interesting features with Bachâs Art of the Fugue: both are sets of music written by a brilliant composer in a form that had gone out.
This summer, we asked Nicole to create original artwork for Tempesta's five main projects in our 2018-2019 Concert Series and she created something very special. Aside from her incredible talent, she's a force to be.
The final concert of our 2017-2018 season, River Music: Bach & Telemann on Water’s Edge, features four outstanding vocal soloists. Read below for more on each of them, their artistry, and their collaboration with Tempesta.
"Totally recommendable...extremely attractive...extremely accomplished...absolutely first rate." â Classic FM
These days, in Philadelphia, weâre loving our rivers. Weâre strolling with our sweeties on Boathouse Row, swinging in hammocks under glow lights at Spruce Street Harbor Park and flocking to Twilight Yoga on Race Street.
"I started playing soprano recorder when I was about 6. When I was 12, my family took a cross-country camping trip with another family, and I taught myself to play alto recorder while my friend.
