G.P. Telemann, Getting the Music Out
Imagine Bach and Handel in their music rooms in Leipzig and London, sitting down, opening the fresh, clean pages of music straight off the press, and playing something new theyâd just received from their good.
Imagine Bach and Handel in their music rooms in Leipzig and London, sitting down, opening the fresh, clean pages of music straight off the press, and playing something new theyâd just received from their good.
The world is throwing a grand anniversary party this year for one of the most deserving and long-overlooked artists in Baroque music, Georg Philipp Telemann. Published in the Fall 2017 print issue of Early Music.
In 1737, during a visit to Paris, German composer Georg Philipp Telemann got to hear his new Paris Quartets premiered by some of Franceâs best musicians, a remarkable experience that Tempesta di Mare will bring.
During the baroque era, Bohemia more or less disappeared from map of European culture. But invisibly, it made its presence known. Those big European capitals of the baroque worldâDresden, Berlin, London, Parisâwere well enriched by.
If you look for Bohemia on a map, you wonât find it. After World War I, the old Kingdom of Bohemia folded into the Czechoslovak Republic. Bohemia never came back as an independent entity. Itâs.
You know Vivaldiâs Spring from The Four Seasons. Everybody knows Spring from The Four Seasons. Even if they donât think they know Spring, they do. Everybody recognizes that wonderful, lilting opening theme. Remember when Spring.
In Sara and Her Sisters Tempesta di Mare salutes three of baroque musicâs great ladies, âreally interesting, really powerful women,â Tempesta co-artistic director Gwyn Roberts says. âWhen I first found out about them I was.
When Tempesta di Mare presents not one, not two, but three Winters from three different Four Seasons in the upcoming program, Winter: A Cozy Noel, theyâre not just inviting us to come and join the.
Itâs the kind of thing you daydream about as you sit all hunched over at your desk: running around in crisp fall air, singing yourself silly, a dark brew or two and then a nice.
Conductor and organist Matthew Glandorf has been Artistic Director of Choral Arts Philadelphia since 2004 and Artistic Director of the Bach Festival of Philadelphia since 2008. During his tenure at Choral Arts Philadelphia, Glandorf has.