Artist Spotlight: Kately Towsley

Tempesta di Mare commissioned Kately Towsley to create the lead artwork for our 2023-24 Season. Catch up with Kately in a conversation she had with our Coordinator of Production and Administration, Sarah Giampietro: What made.

A river, a king, A Water Music

A river, a king, A Water Music

A sweet story circulated about Water Music during George Frideric Handel’s lifetime. It’s sweet, but unfortunately it’s also not true—the dates don’t work out. It’s worth taking a moment to give it a look, though,.

Tempesta & Fasch: An Ongoing Affair

Tempesta & Fasch: An Ongoing Affair

2008-2023 | 15-year Anniversary It’s a relationship that’s just getting better, and 2023 is its Crystal Anniversary. Fifteen seasons ago, fresh in love with the music of German high baroque master Johann Friedrich Fasch, Tempesta.

Does A Rose With No Name At All Smell As Sweet?

Does A Rose With No Name At All Smell As Sweet?

Tempesta di Mare presents Anonymous. For something that’s nothing, “anonymous” sure carries a lot of baggage. Literally “without a name,” “anonymous” would seem to be value-neutral. It gets into some shady business, though. “Anonymous tip,”.

Dowland: Master of Melancholy

Excerpt from Anne Schuster Hunter’s blogpost from May 2021 “No hope, nor help there doth remain, but down, down, down I fall” “Sorrow stay”: lyric by anonymous, music by John Dowland (1562 – 1626), John Dowland. Renowned.

Team Tempesta: Season XX Orchestra

Team Tempesta: Season XX Orchestra

“When people play together, they start to speak a common language” Gwyn Roberts Covid-necessities blow up the sound It was a sound she wasn’t expecting and it surprised her. Ulrike Shapiro, Tempesta di Mare’s Executive.

Making It Live

“Hearing a piece of music that hasn’t spoken in 300 years is really exciting” Gwyn Roberts Those Magic Moments Some of the best times in Tempesta’s 20 years of history were those magic moments when.

A "Thousand-Guilder" Tune?

A “Thousand-Guilder” Tune?

Why the money title? We puzzled for a while over why Rittler’s 1000-Guilder Sonata, the second work on this program, has such an enigmatic title. Was it composed for a 1000-guilder commission? Is there a melody called “1000 Guilders”.